This part-memoir, part-immersive archive invites audiences inside a digital reconstruction of the creator’s childhood home on an intimate journey that follows the complexities of her relationship with her mother across three decades marked by regional conflicts and her eventual migration.

Nazar unfolds as experiential poetry within evil eye protection sessions, shared regularly over the years by mother and daughter and communicated primarily through touch.

Slowly moving past personal narratives, embodied experiences prompt audiences to consider these practices and their virtual extensions not only as methodologies of care but as ritualistic acts of soft resistance.

The experience is informed by an ongoing research that delves into the constellation of protection practices, passed-down from mother-to-daughter for generations across the Levant.